The Napoleon III style, also known as the Second Empire, is making a bold and subtle return to the world of interior design. Once considered a symbol of rigid bourgeois opulence, this aesthetic is now revealing its timeless potential—especially when paired with contemporary pieces from African craftsmanship. At the crossroads of imperial grandeur and Africa’s vibrant patterns, a new design language emerges: sophisticated, authentic, and unapologetically cosmopolitan.
At the Brussels Opera, in the Grand Foyer and Royal Box of the Théâtre de la Monnaie, our collection comes to life in a truly spectacular setting. Flamboyant wax-print cushions, striking graphic-patterned textiles, subtly woven Baoulé throws, and eye-catching wax tablecloths transform these historic spaces into a world where European heritage meets unexpected artisanal influences. This fusion of styles tells the story of a dialogue between eras and continents—a reimagining of opulence that reinvents the codes of the Second Empire.
A Bold Fusion of Styles
With its hypnotic patterns and shimmering colors, wax print fabric softens the rigid classicism of carved armchairs and velvet sofas. Meanwhile, Baoulé textiles, with their raw, graphic textures, provide a striking contrast to elaborate moldings and gilded décor. These unexpected elements capture light and attention, giving each room a singular aura, without ever overshadowing its inherent elegance.
The Key to a Successful Fusion?
Mastering contrast without excess. Pair the richness of Second Empire furniture with contemporary textiles featuring clean lines and dynamic patterns. This combination infuses modernity into a classic setting, creating a cosmopolitan spirit that transcends eras and styles. The result? An interior where every detail tells a story, where opulence meets minimalism, and where each piece interacts in perfect harmony of colors and textures.
